From DWM #441. I wanted to write something robust, not maudlin, despite the obvious shadow hanging over this final series of SJA – and that’s why I kept the Elisabeth Sladen stuff till the end. Particularly as I knew the previous issue was a special in tribute to her.
Re-reading the review now, though, that final line – which is an echo of the final onscreen caption – does still feel a bit too loaded. Continue reading